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Reptile Boy (August 13, 1997) Written & Directed by: David Greenwalt | ||
| Teaser | ||
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EXT. BUFFY’S HOUSE – NIGHT
After a beat we HEAR a STRANGE, HIGH PITCHED WAILING –
INT. BUFFY’S HOUSE – NIGHT
CLOSE ON XANDER – Concerned
Is she dying? BUFFY AND WILLOW Flank him on the couch. Slumped down in high teen boredom, sodas and junk food pilfered from Buffy’s kitchen scattered about, watching T.V. –
She’s singing. ANGLE – THE T.V. An EAST INDIAN soap opera on an obscure cable channel: an INDIAN WOMAN sings (in a foreign language) something very heartfelt into a telephone. BUFFY, WILLOW & XANDER
To a telephone, in Urdu… now that’s entertainment. Why is she singing? WILLOW XANDER BUFFY WILLOW They stare at the screen for a beat. The PIERCING SINGING continues under:
And we thought just ‘cause we didn’t have any money or anywhere to go this’d be a lackluster evening. WILLOW XANDER BUFFY
CUT TO:
EXT. ANOTHER HOUSE – BACK YARD – NIGHT Shooting the back of the house, preferably a classic Colonial, preferably no neighboring homes in sight. PUSHING IN on the quiet affluent house and then – AN UPSTAIRS WINDOW IS SHATTERED And a PRETTY GIRL (17, wearing a ceremonial-type dress) bursts through the glass, hits the ground and runs for her life. A moment later, several dark figures in hooded robes emerge from other windows and doors like malevolent ghosts and give chase. She vaults a fence, heading for the woods. She’s fast. They’re faster. EXT. WOODS – NIGHT She tears through running for all she’s worth. The hooded figures close the gap behind her. She cuts right, sees a couple of the hoods gaining on that flank. She cuts sharp to the left and sees a break in the trees, a not so distant road with cars – freedom. She glances behind her – she’s ten yards ahead of her closest pursuer – three trees between her and the open space that leads to the road, then two, then one – As she passes the last tree, a HOODED FIGURE coolly steps out and grabs her. She SCREAMS, he purrs:
Callie… Where are you going? The girl, her eyes wild with fear, claws at him, pulling his hood off revealing the face of a handsome twenty year old sadist. He deflects her blows and grabs her wrists, puts his face close to hers.
The party ain’t even started yet. And, not without charm, the Figure smiles at Callie. Then nods at the brethren. Several of them hustle Callie back towards the house.
No! No! The Figure takes a deep breath of the bracing night air and walks out of frame.
BLACK OUT.
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| Act One | ||
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INT. SCHOOL HALL – DAY – CORDELIA
laughs in a HIGHLY AMUSED if somewhat forced manner. She’s with a
Cordette. KIDS are arriving for school.
Ha ha ha ha ha. Cordelia show s the Cordette a magazine (TEEN TIME). Pretty girl on the cover holding a fishing rod and big lure; headline: HOW TO LAND HIM AND KEEP HIM.
Doctor Debbi says when a man is speaking you make serious eye contact and really, really listen. And you laugh at everything he says… ha ha ha ha… ANOTHER ANGLE – BUFFY AND WILLOW Heading up the steps.
You dreamed about Angel again? BUFFY WILLOW BUFFY WILLOW BUFFY WILLOW BUFFY WILLOW BUFFY WILLOW Xander slides into step with them.
What’s like a relationship? BUFFY XANDER As they pass Cordelia and the Cordette.
There’s really no comparison between college men and high school boys – (re: Xander) -- I mean look at that. XANDER CORDELIA XANDER CORDEDLIA Buffy, Xander and Willow move off as a bell RINGS O.S.
Oops, I told Giles I’d met him in the Library ten minutes ago – (moving off) -- there hasn’t been much paranormal activity lately, he won’t be upset.
CUT TO:
INT. LIBRARY – DAY – GILES IS UPSET Faces Buffy, circles her as:
Just because the paranormal has been more normal and less… para lately, that is no excuse for tardiness or letting your guard down. BUFFY GILES Without warning, Giles swings at her from behind. Without turning, Buffy’s hand shoots backwards, grabs Giles’ wrist. Buffy pivots and whips Giles’ hand around behind his back, in a painful arm lock.
Yes, well, I’m no demon… (beat) …which is why you should let go now. She does. He massages his wrist.
When you live atop a mystical convergence it’s only a matter of time before a fresh hell breaks loose. Now is the time to train more strictly, hunt and patrol more keenly, hone your skills day and night – BUFFY GILES BUFFY GILES BUFFY GILES BUFFY GILES BUFFY GILES BUFFY Giles sighs, he tried.
Well here’s a hard fact of life: we all have to do things we don’t like. You have hand to hand this afternoon and patrol tonight. You’d best come right here after sixth period and get your homework done. Don’t dawdle with your friends. Buffy just stands there pouting.
And don’t think standing there pouting is going to get to me. It doesn’t. She pouts. He lies.
Not getting to me.
CUT TO:
EXT. SUNNYDALE HIGH – DAY After school. Cars pulling up, KIDS taking off. Buffy dawdles on a wall near the street. Xander and Willow move up.
Wow, what a long day. WILLOW XANDER WILLOW BUFFY Buffy tips forward on the wall like she’s going to fall – catches herself by draping her arms over Xander’s shoulders.
Works for me. ANOTHER ANGLE – FRONT OF THE SCHOOL – CORDELIA Looking luscious, waits expectantly as a sleek, dark BMW (tinted windows, we can’t see who’s inside) pulls to the curb. She moves to the car. The dark window rolls down revealing RICHARD (the twenty year old sadist from the teaser) in expensive slacks and sport coat. As are the other two DELTA ZETAS in back. In the passenger seat is TOM, also 20, but dressed casually. Tom is rich, too, but he’s not a prick, he’s a low key, decent guy.
Cordelia. CORDELIA As instructed by her teen magazine, Cordelia never takes her eyes off Richard. We PUSH PAST Richard to Tom, totally engaged by: TOM’S POV – BUFFY Dawdling with Xander and Willow.
Dawdle, dawdle, dawdle… I’m a rebel and I’ll never ever be any good… TOM Takes a breath. Something about Buffy… RICHARD
So we’re having a little get together at the house tomorrow night… Richard sees the look on Tom’s face, follows it to Buffy, never skipping a beat with Cordelia
… it’s going to be a really special evening… CORDELIA RICHARD Cordelia turns, sees Buffy behind her on the wall clowning with Xander and Willow.
Her? She’s not my friend. TOM CORDELIA RICHARD BUFFY, XANDER AND WILLOW
Okay so tonight, Channel fifty nine, Indian T.V. – sex, lies and incomprehensible story lines – I’ll bring the beetle nuts. Cordelia walks up, grabs Buffy.
Come on, Richard and his fraternity brothers want to meet you. BUFFY CORDELIA Buffy is dragged away.
Hey, I believe we were hanging here… Cordelia drags Buffy to Richard who has now gotten out of his car. Confident, cool, he flashes his perfect smile at Buffy.
Hi, sweet thing. I’m Richard. And you are? BUFFY CORDELIA Cordelia hits Buffy who is about to turn away when Tom appears behind Richard.
What, is she playing hard to get? TOM Buffy hesitates, this guy seems okay.
I’m Tom Janson. I’m a Senior at Crestwood College and I feel like a complete dolt meeting you this way – so here I stand in all my doltishness… XANDER AND WILLOW
She’s gonna walk away… now. (snaps fingers) Okay boots, start walkin’… BUFFY AND TOM
I’m Buffy Summers. TOM BUFFY TOM BUFFY TOM Buffy smiles, not smitten but charmed. Behind them, Richard, with other frat guys looking on, says something to Cordelia. We HEAR her “Ha ha ha ha”. XANDER AND WILLOW Xander shakes his head, disgusted.
I hate these guys. Whatever they want just falls into their laps. Don’t you hate these guys? WILLOW BUFFY AND TOM
(re: Richard and Cordelia) So my friend asked your friend to this party we’re having tomorrow night… (lowers voice) … actually he’s not really my friend – I only joined the fraternity ‘cause my father and grampa were in it before me. It meant a lot to them. I know, I talk too much. Anyway, they’re really dull parties full of really dull people so, uh, how would you like to come and save me from a really dull fate? BUFFY TOM BUFFY Tom smiles.
Buffy! Buffy turns, sees Giles near the front door of school, pointing to his watch.
I gotta… nice to meet you TOM Buffy takes off. Tom watches her, intrigued.
CUT TO:
INT. LIBRARY – NIGHT Buffy practices her hand to hand with Giles (who wears much protective gear). There’s a certain not-so-sub-text here: they’re pissed at each other.
I’m going to attack you. Word of caution: for your own good, I won’t be pulling any punches. BUFFY He comes at her with the short sword – she kicks it out of his hand. He immediately counters with a wooden rod – she chops it in half. He charges her, she sidesteps, flips him over her shoulder and slams him down on the ground. Hard.
Good. So you’re on patrol and I’ll see you in the morning. (she offers him a hand up) Thanks, no, I’ll just rest here for a while.
CUT TO:
EXT. WOODS – NIGHT Dark, empty dangerous. We might recognize them as the woods from the teaser. Buffy moves through the dark shadows, her hand instinctively checking the stakes in her belt. ANGLE – A LARGE TREE As Buffy moves past. Something moves in the dark – a FIGURE, watching Buffy. THE FIGURE’S POV Buffy moves through the trees. The Figure follows. BUFFY Stops, sees something glinting in the leaves at her feet. She kneels down. INSERT – BUFFY’S HAND Picks up a BROKEN SILVER PIECE of an I.D. bracelet. Three letters, E, N and T, can be seen, inscribed in the delicate bracelet. BUFFY Studies the bracelet, then:
There’s blood on it. Startled, Buffy jumps to her feet, sees ANGEL.
Oh… hi. Nice to… blood? (studies bracelet) ANGEL BUFFY Angel glances around the woods.
Probably. Buffy laughs. He looks back.
I was just mulling, wouldn’t it be funny to see each other some time when it wasn’t a blood thing? Nothing from Angel.
Not funny ha ha. ANGEL BUFFY ANGEL BUFFY ANGEL BUFFY Buffy makes a “that’s ridiculous” sound.
I knew this would happen. BUFFY ANGEL BUFFY ANGEL BUFFY She turns to walk away. He grabs her.
Listen. If we date you and I both know one thing’s going to lead to another. Then what? BUFFY Angel just shakes his head.
It’s a Fairy Tale. Only when I kiss you you don’t wake up from a deep sleep and live happily ever after. BUFFY She holds his gaze – then she walks out of frame.
CUT TO:
INT. CLASSROOM – DAY Buffy is gathering her stuff as students head out.
Buffy! Cordelia moves up.
Did you lose weight? And your hair… (Buffy ignores her) All right, I respect you too much to be dishonest, the hair’s… (makes a face) …well that’s not the point here, is it. The Delta Zetas have to have a certain balance at their party – Richard explained it all to me but I was so busy REALLY LISTENING to him that I didn’t hear much – anyway, the deal is they need you to go. And if you don’t go… (her eyes moisten) …I can’t! I’m talking about Richard Anderson, okay? As in Anderson Farms, Anderson Textiles… (she can no longer hold back the tears) … and Anderson Cosmetics! Do you have a hankie? Buffy shakes her head.
Well you can see why I have to go. These men are rich, Buffy, and I’m not being shallow – think of the poor people I could help with all my money. BUFFY CORDELIA And Cordelia happily moves off. Off Buffy’s expression, pre-lap:
I pledge my life…
CUT TO:
EXT. FRAT HOUSE – NIGHT PUSHING SLOWLY IN. Hearing RICHARD’S voice intoning:
… and my death… INT. FRAT HOUSE – BASEMENT – NIGHT SHOOTING HIGH ABOVE AN ALTER that’s built up around a dark circle, like a well – and apparently bottomless pit. ANOTHER ANGLE – Richard and other frat minions, in robes (no Tom) are gathered before the alter which has eyes, fangs, diamond shape carvings – an abstract but frightening representation of some horrible thing they worship. Possibly a thing that lives in the bottomless pit. The basement is cut into the bed rock – cave-like out-croppings of stone add an ancient touch to the décor. A YOUNG MAN is naked from the waist up and Richard holds the sword to his chest, carving a large diamond shaped SCAR into his flesh. (Yes, we’ll be tasteful.)
I pledge my life and my death… RICHARD YOUNG MAN RICHARD YOUNG MAN Richard finishes carving the diamond shape.
You are now one of us. YOUNG MAN The others reply: “In His Name!”
Brewski time! Someone opens a cooler – beers are flung about. Someone turns on a boom box. Suddenly it’s a bunch of college guys in robes guzzling beer and listening to loud music. The various brethren congratulate the Young Man. Richard sees something O.S., moves to: CALLIE The girl from the teaser. Chained to the rock wall.
So what’s a girl like you doing in a place like this? CALLIE RICHARD She cries. He laughs.
Gawd I love high school girls. Richard sips his beer, tapping his head to the music, digging his world.
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| Act Two | ||
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EXT. SUNNYDALE HIGH – MORNING – ESTABLISHING
You’re going to the Delta Zeta party? INT. SCHOOL – HALL – DAY Buffy, Xander, Willow walk ‘n talk. Buffy in the middle.
What made you change your mind? BUFFY WILLOW XANDER BUFFY WILLOW XANDER WILLOW BUFFY XANDER WILLOW BUFFY XANDER BUFFY XANDER BUFFY XANDER WILLOW XANDER They wheel into: INT. LIBRARY – DAY Giles, his back to the doors, short sword in hand, deals with an unseen opponent.
What if a vampire came up behind you and did that! Giles swings the sword to the left while ducking and jumping to the right. TRACK WITH Buffy, Xander and Willow as they move into the room and see there is no opponent, Giles is refining the move he tried on Buffy yesterday.
Or this! Giles twists, cuts high, then low –
Hah! -- and then sees the three of them, quickly straightens up with as much dignity as he can muster.
Oh, didn’t see you three… (under his breath) …sneaking up like that. He puts the sword down, turns to Buffy.
All went well last night? Buffy nods, pulling out the piece of the bracelet she found.
I found this. INSERT BRACELET – as she holds it out. Willow looks at it as Giles takes it.
(read letters on it) “E” “n”, “t”… WILLOW BUFFY GILES BUFFY XANDER GILES WILLOW XANDER GILES BUFFY GILES XANDER BUFFY Buffy touches her forehead. Willow and Xander exchange a look.
Oh, if you’re not feeling… BUFFY GILES Buffy nods.
CUT TO:
INT. HALL OUTSIDE LIBRARY – DAY As Xander, Buffy and Willow exit. They walk in silence for a beat.
Well, say it. XANDER WILLOW XANDER BUFFY XANDER WILLOW XANDER BUFFY WILLOW BUFFY
CUT TO:
INT. SCHOOL LOUNGE – DAY – CORDELIA Lectures Buffy.
This isn’t about fun tonight. It’s about duty: your duty to help me achieve permanent prosperity. Okay, do’s and don’ts. Don’t wear black, silk, chiffon, or spandex – these are my trademarks – don’t do that weird thing to your hair. BUFFY CORDELIA Willow and Xander, carrying food trays, pass by.
So Cor, are you printing up business cards with your pager number and hours of operation or just going with the halter top tonight? CORDELIA BUFFY XANDER Xander and Willow move off. Cordelia studies Buffy, tapping her fingers, thinking hard.
Make-up, make-up… well, just give it your all and keep to the shadows. We are going to have a blast! ANGLE – WILLOW AND XANDER As they sit some distance away.
I can’t believe she lied to Giles. My world is all askew. XANDER WILLOW XANDER WILLOW XANDER WILLOW XANDER WILLOW XANDER
CUT TO:
EXT. FRAT HOUSE – NIGHT Lots of cars, young folks arriving, MUSIC blasting. Those little white lights strung in trees and along the roof line. A CAR ROARS UP to CAMERA. We read the personalized license plate: QUEEN C. Cordelia squeezes her car into a parking place (smashing the car behind and in front if we can afford). Cordelia and Buffy get out. Oh yeah, they look fantastic.
Why do they park so darn close to you? (to Buffy) You up for this? BUFFY CORDELIA Cordelia charges ahead. Buffy reluctantly follows. INT. FRAT HOUSE – NIGHT This ain’t Animal House. This is a well furnished, wealthy home. But still being partied in by a gaggle of rich young snobs. The men wear coats and ties. The women are sexy but not cheap. WAITERS (actually pathetic guys, some in their underwear, some with fruit hats, all with a big sign PLEDGE hung around their necks) serve drinks and hors d’oeuvres. CORDELIA AND BUFFY In a far corner of the room. Standing alone, perhaps a little awkwardly.
You know what’s so cool about college? The diversity. You’ve got rich people and you’ve got… all the other people. Richard! Richard approaches, hands them each a drink.
Welcome, ladies. CORDELIA Richard toasts, drinks. Cordelia follows suit.
(re: drink) Is there alcohol in this? RICHARD CORDELIA BUFFY RICHARD Buffy gives him a look. He turns to Cordelia.
Have you seen our multi-media room? CORDELIA As they head off:
(re: Buffy) What about -- ? CORDELIA BUFFY Watches them go. Looks around for a friendly face. Doesn’t find one. EXT. FRAT HOUSE – FRONT PORCH – NIGHT Xander is dressed in preppy gear, trying to look nonchalant. At the front door a big LINEBACKER checks names on a list as partiers enter. The linebacker turns his back, Xander coolly slides in. INT. FRAT HOUSE – NIGHT A huge TACKLE downs a HUGE GLASS STEIN O’ BEER. Xander moves past him. The Tackle’s huge hand comes down on Xander’s shoulder, stopping him in his tracks.
Who… (burp) the heck… (burp) …are you. The Linebacker has joined the Tackle now, list in hand. Xander glances at list, trying to read it upside down.
Stewart L. Huntington, Junior. The third. My people have been Delta since… a time that was in the past. Hunting – (glances at list) Hunsinger. Linebacker nods at Tackle who reluctantly lets Xander go. The Tackle watches Xander’s departing back, suspicious. BUFFY Still standing off by herself, unaware of Xander’s entrance. Buffy looks at that drink. Picks it up. Puts it back. Clasps her hands awkwardly together. Looks around for a friendly face. Sees: A COOL GUY across the way. He toasts her with his glass. Buffy picks her glass up, toasts back, not wanting to appear unsophisticated, takes a polite sip – it’s strong. Then she sees the BIG TACKLE, hammered, heading her way.
New girl. Dance. Ahhhyeeahh. Buffy looks left and right for an avenue of escape as the Tackle lumbers in for a landing. Just as he’s upon her, Tom steps between them, takes Buffy’s hand –
Could I have this dance? -- and pulls her to the dance floor. Perhaps we hear a crash of plates O.S. INT. FRAT HOUSE – NIGHT BUFFY AND TOM Dance to a cool slow song.
(re: tackle) Thanks for… TOM BUFFY TOM BUFFY TOM BUFFY TOM BUFFY TOM TOM He starts to step back – she doesn’t let him go. BUFFY He smiles. And she puts her head on his shoulder. And they dance for a couple of beats. ANGLE: XANDER CHATS WITH TWO CO-EDS He swipes the air with a couple of crab claws.
Godzilla is attacking downtown Tokyo! Argh! Argh! The co-eds laugh. ANOTHER ANGLE – THE TACKLE AND RICHARD Watch him.
You went to Cold Springs with Donny Hunsinger. Is that his kid brother Stewy? RICHARD Richard smiles unpleasantly. Moves off towards Xander. The Tackle waves the Linebacker over and they follow. XANDER AND CO-EDS
So have either of you seen a pair of girls Here? One is about so high – Richard, the Tackle and the Linebacker suddenly surround him.
Hey guys. The Tackle grabs one shoulder, the Linebacker the other.
New Pledge! TACKLE And they drag him away from the co-eds, other Delta Zetas gathering around, chanting “new pledge!”, blotting poor Xander out of sight. EXT. FRAT HOUSE – BACK PATIO – NIGHT Buffy wanders out to get some air. We see the party through the large windows or French doors behind her. She looks off into the woods beyond the back fence. Something CRUNCHES beneath her feet. She bends down. INSERT – BUFFY’S HAND Picks up some broken glass. BACK TO SCENE Buffy straightens up and looks up at the second story. We see the broken and partially patched window the girl burst out of in the teaser. Buffy looks off to the woods where she found the bracelet: is there some connection here? She turns back towards the house, startled to find:
You okay? BUFFY From inside we hear the party and the music crank up. Richard hurries out, tipsy, thrusts a drink in each of their hands. Clinks their glasses with his own.
To my Argentinean junk bonds which just matured in double digits! He holds up his glass and drinks merrily. Tom looks at Buffy, embarrassed by Richard.
To… maturity. Tom clinks her glass.
(re: drink) Ahhh, what the hell. She downs the whole drink. Tom’s a little surprised.
I’m tired of being mature. Tom smiles.
CUT TO: Willow is typing a list of possibilities on the computer. Giles stands behind her, helping.
Bent. GILES WILLOW GILES WILLOW GILES WILLOW GILES WILLOW She stops speaking. Giles sees it on the computer.
A missing girl… INSERT COMPUTER KENT SCHOOL NEWS -- a picture of a pretty girl, the girl from the teaser. Headline: CALLIE, OUR HEARTS AND PRAYERS ARE WITH YOU.
CUT TO:
INT. FRAT HOUSE – NIGHT We see two lines of people facing one another. Dancing down the middle of the gauntlet (all hope of escape barred by the Tackle and the Linebacker) is: XANDER A hideous wig of long dark curls parked on his head; an (extremely) large bra strapped over his shirt; a painful party smile plastered on his face.
Okay, big fun… who’s next? He tries to walk away. The big Tackle shoves him back.
Dance, stranger. Xander dances. BUFFY comes out of a bathroom looking a little wobbly. She touches her head. BUFFY-CAM Her pov of the party. Distorted, a macabre Mardi Gras.
(looking around) Tom? BUFFY WEAVES HER WAY To the stairs, moves up. INT. FRAT HOUSE – TOP OF THE STAIRS – NIGHT Buffy clears the top, getting woozier by the step, and stumbles down a dark hall. BUFFY-CAM Worse than before. She’s losing it. INT. FRAT BEDROOM – NIGHT Buffy stumbles in. A big bed. Looks so inviting.
Okay. Just need to stop spinning for a… Buffy collapses on the bed. Out cold. A figure appears silhouetted in the doorway. Moves to her. Rolls her over. It’s Richard. He admires her unconscious form for a beat then reaches for her blouse. Undoes the top button. Reaches for the next button when A HAND Grabs his hand. Spins him around. It’s Tom.
Get away from her. And Tom hits Richard, hard. Richard is flung back against the wall.
I wasn’t doing anything. TOM RICHARD TOM PUSH IN on Tom.
She’s here for the pleasure of the one we serve. RICHARD TOM We now see Cordelia, passed out in a dark corner of the floor. Off Tom’s eyes, the eyes of the zealot and true believer. BLACK OUT.
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| Act Three | ||
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INT. LIBRARY – NIGHT
Willow types at the computer. Giles reads a print-out of the Kent
School News.
Callie Megan Anderson… missing for over a week. No one’s seen her, no one knows what happened to her… WILLOW GILES WILLOW GILES WILLOW GILES WILLOW Giles follows Willow’s gaze to her computer.
(cont’d) Brittany Oswald, Junior at St. Michael’s, disappeared a year ago… so did Kelly Percell, sophomore at Grant… GILES WILLOW GILES WILLOW GILES WILLOW GILES WILLOW Giles reaches for the phone.
(as Giles dials) He was there when Buffy found it – we’re gonna need all the help we can get.
CUT TO:
EXT. FRAT HOUSE – FRONT PORCH – NIGHT We see the last few partiers stumble out, then Xander, still in wig and bra, is hurled out by the Tackle and Linebacker. They shut the door, Xander stops it with his hand.
A friend of mine was here – TACKLE The Tackle slams the door in his face. Xander stands there steaming, HEARING their laughter from inside. He rips off wig and big bra, storms off the porch. Xander, brushing himself off, in a foul mood, heads up the sidewalk away from frat house.
One day I will have money and power. And on that day… (glances back at frat house) …they’ll still have more. He stops, something catches his eye. A car. With the license plate: QUEEN C. Xander looks back towards the house, concerned.
CUT TO:
INT. FRAT HOUSE – BASEMENT – NIGHT Tom, stripped to the waist, kneels before the alter which surrounds the dark pit. Several ROBED BRETHREN keep a respectful distance from Tom whose arms and chest sport a dozen or more of the sword-carved diamond shapes. Tom is pretty much the high priest around here. He finishes whatever silent prayer he was offering, picks up the long sword, holds it over the pit as a form of blessing, then hands it to a brethren. The brethren begins carving yet another diamond on Tom as we (discreetly) PAN AWAY to: CORDELIA – COMING TO Chained to a rock wall. Now dressed in the same ceremonial garb as the girl in the teaser. Her hair is mussed and as she takes in her surroundings, her eyes fill with fear. She looks to BUFFY Chained next to her. Also in ceremonial dress. Buffy is already awake and alert, gazing around the basement, taking everything in. From this angle she can only see Tom from the back (i.e. she doesn’t know it’s Tom.)
Buffy… where are we? BUFFY CORDELIA BUFFY CORDELIA BUFFY CORDELIA CALLIE (O.S.) They turn and see Callie as she leans out of the shadows: a once pretty girl who’s been chained in a basement for a week.
Ever. Callie stares at them with the look of the condemned.
One of them’s different from the others, nicer… BUFFY And Tom turns around on the alter. His eyes meet Buffy’s.
He’s the one to watch out for. Callie leans back into the shadows. Tom gazes at Buffy for a long, creepy beat.
She’s last. CORDELIA Tom turns back to his priestly duties. He picks up three round stones, holds them over the pit in a ritual blessing.
Three stones… three of us. CORDELIA BUFFY CORDELIA
CUT TO:
INT. LIBRARY – NIGHT – ANGEL Moves INTO FRAME, the glass window of Giles’ office behind him.
She found the bracelet in Miner’s Woods. REVERSE – WILLOW AND GILES Willow leans forward, staring hard at something behind Angel.
Miner’s Woods, which is…? (to Willow) -- what are you doing? WILLOW GILES Willow nods, unable to speak.
Could they be taking these girls? Willow nods again, petrified.
Let’s get out there. Willow finally blurts out:
Buffy -- ! GILES WILLOW GILES WILLOW ANGEL WILLOW Losing it, she turns on them both in a sudden Willow-fury.
(to Angel) Why do you think she went to that party? Because you gave her the brush off… (to Giles) …and you never let her do anything except work and patrol and – I know she’s the Chosen One but you’re killing her with the pressure, she’s sixteen going on forty – (to Angel) -- and you, I mean you’re gonna live forever, you don’t have time for a cup of coffee? Willow takes a breath, no less surprised by her outburst than they are.
Okay. I don’t feel better now and we gotta help Buffy. Willow runs for the door. They follow.
CUT TO:
INT. FRAT HOUSE – BASEMENT – NIGHT Buffy, Cordelia and Callie watch as the brethren (including Richard) gather around the alter.
Machida… The others murmur “Machida” (pronounced Ma-Kee-Da).
We who serve you, we who receive all that you bestow, call upon you in this holy hour. Again the others murmur “Machida”.
We have no wealth, no possession, except that which you give us. We have no power, no place in the world, except that which you give us. OTHERS BUFFY AND CORDELIA
What are they, some kind of cult? BUFFY CORDELIA Buffy tests her chains (secured to metal eyes sunk in the wall). They hold her fast. TOM AND THE BRETHREN
It has been a year since our last offerings… a year in which our bounty overflowed… We come before you with fresh offerings… we hope you find them worthy. BUFFY AND CORDELIA
Offerings… he’s talking about us? Callie peers out of the shadows.
You see anyone else chained up in here? TOM AND THE BRETHREN
Accept our offering, dark lord, bless us with your power, Machida!! OTHERS Tom drops the stones into the pit. A long silent beat, followed by the sound of the stones PLOPPING into water far, far below. BUFFY AND CORDELIA
What… what’s down there? TOM AND BRETHREN
Come forth, let your terrible countenance look upon your servants and their humble offerings! We call you, Machida! OTHERS A substantial RUMBLING is heard far below, gathering power and speed. It fills the chamber, growing ever nearer. BUFFY AND CORDELIA Cordelia is terrified.
There’s something down there. (Buffy nods) And they’re gonna throw us down there with it! BUFFY CORDELIA BUFFY AT THE ALTER The rumbling grows louder and more fierce. The brethren are all glass-eyed, murmuring “Machida” feverishly. And suddenly, with a great explosion, the HORRIBLE THING bursts out of the big black pit. MACHIDA is half man, half snake. He has a muscular body (from the waist up) and the enlarged and frightening head of a man with the fangs and horrible eyes of a snake. His skin has the diamond pattern of a snake – thus the diamond carvings on his “people”. From the waist down he is all snake – and a big ‘un, too, his snake body trails behind him into the depths of the pit: God knows how long this guy is. Machida towards over the brethren and stretches his glistening body so he can look down on Buffy, Cordelia and Callie. Off Buffy, looking up at the hideous Delta Zeta deity, and Cordelia screaming for all she’s worth.
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| Act Four | ||
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INT. FRAT HOUSE – BASEMENT – NIGHT
As before. Machida hovers over the girls.
For he shall rise from the depths and we shall tremble before him. He who is the source of all we inherit and all we possess. MACHIDA! OTHERS TOM OTHERS TOM Richard and a brethren start to unlock Cordelia’s chains.
Feed him. FEED HIM?! Buffy pulls like hell at her own chains. They hold fast. Richard and brethren drag Cordelia, whimpering now, before Machida. Cordelia looks like she’s about to lose her mind. Buffy struggles with her chains. Machida rises up, ready to dive for Cordelia.
Hey, Reptile Boy! Machida turns his gaze to Buffy.
No woman speaks to him! BUFFY And Tom backhands her viciously, nearly knocking her out. Brandishes his sword.
Speak again and I’ll cut your throat.
CUT TO:
EXT. FRAT HOUSE – NIGHT Angel, Willow and Giles exit the Giles-mobile and head for the darkened frat house.
Looks like everyone’s gone. As they approach, a robed figure steps out of the shadows behind them. Angel senses the intruder, slows his pace and suddenly leaps on him.
It’s Xander, in one of the D.Z robes. He pulls the hood back. There’s a tear in the front of the robe.
What are you doing here? WILLOW XANDER GILES XANDER GILES WILLOW ANGEL Angel looks to the house, his anger mounting, and MORPHS into a vampire with a fierce growl. Willow and the others take a step back.
Okay, that is the guy you want to party with.
CUT TO:
INT. FRAT HOUSE – NIGHT The Tackle and the Linebacker keep a watch in the darkened rooms. They hear someone KNOCKING, move to one of the doors in back, see a dark figure in a robe outside.
(in robe) Got locked out dumping the trash. Let me in, I don’t want to miss the “you know what…” The Tackle peers hard at the robed figure, unlatches the door. The minute he does, Xander kicks open the door and hits him as hard as he can in the face. The Tackle staggers back. Angel, Giles, Willow rush in.
(to Tackle) Where are they?! The Tackle charges Xander who sidesteps him and helps run his head into a banister. The Linebacker charges Angel – sees Angel’s face – screams! INT. FRAT BASEMENT – SAME TIME Tom Stands behind Cordelia, beneath Machida.
Receive our offering! They hear fighting and bodies crashing to the floor above. Richard charges upstairs with several of the brethren.
Machida rises to his full height.
Cordelia cowers beneath him.
Machida dives.
DIVING POV – WE SWOOP DOWN TOWARDS CORDELIA
Who screams bloody murder.
Buffy uses all her strength and rips her chain and eye hooks right out
of the wall.
Buffy whips the chain and hits Machida with it. He rears back,
screaming.
Cordelia scampers back to relative safety as –
Buffy whips her chain into two attacking brethren, knocking them down.
Tom picks up the sword and charges Buffy who ducks and backs away as he
attacks, nearly taking her head off.
INT. FRAT HOUSE – UPSTAIRS – NIGHT
Angel throws a guy across the room. Xander is on the Tackle, piggy
back, hitting him on the head from behind.
Willow and Giles weave their way through the carnage to the basement
door. Willow manages to get the door open as Giles is blind sided by a
brethren. Giles holds him off and decks him.
Willow runs down a couple of steps into the basement, runs back up,
yells to the gang:
XANDER Xander gives him one last good wallop and leaps off. The tackle falls
forward, out of frame, we HEAR him crash through the French doors. Xander
stands there, pretty darn satisfied with himself for half a beat until
Richard hits him like a train from the side.
Angel drops Richard like a stone.
They all charge toward the basement door.
INT. FRAT HOUSE – BASEMENT – NIGHT
Buffy scrambles away from Tom and his attacking sword.
He swings hard. Buffy ducks and counters with the chain, wraps it
around the sword, rips it out of Tom’s hands.
And Buffy hits him with a right, then a left, then she spin-kicks him
in the side of the head – he flies back, trips on the alter, falls on his
ass. Down and out.
Angel, Xander, Willow and Giles tear downstairs as Machida gatheres
Cordelia in his arms.
Buffy suddenly looms up with the sword.
Machida ROARS at her. Buffy raises the sword and brings it down hard
and fast on the middle of Machida’s snake body, cutting him in half.
XANDER, GILES, WILLOW
And Angel react.
CORDELIA
Falls to the floor, safe.
THE PIT
As what’s left of the severed snake jiggles and lies still a couple of
feet from the upper torso.
BUFFY
Helps Cordelia up. Willow and Xander un-chain a very freaked out
Callie.
Cordelia walks right past Buffy and hurls herself into Angel’s arms.
Tom comes to near the alter. And, unbeknownst to any of our heroes, the
snake body begins slowly moving. Until it joins up with the torso. A
squooshy sound of flesh and protoplasm meeting and the two halves re-join!
That’s when Machida, re-joined, suddenly pops up again.
Angel takes a threatening step forward next to Buffy and growls.
Machida towers over Tom:
Machida slides back down. Cordelia is afraid to breathe. With good
reason. Machida pops back up, grabs Tom.
Machida disappears into the pit with Tom. We hear Tom’s screams, a
quick couple of chomps and then silence.
Willow and Xander help Callie toward the stairs.
Buffy moves to Giles.
GILES BUFFY GILES Buffy smiles.
Off them,
INT. BRONZE – NIGHT
A high school freshman, a real young looking one, moves up to Cordelia,
hands her a coffee and a muffin. He looks up at her (being so much shorter
and all) adoringly.
Leslie grabs the coffee and hurries out of frame. Cordelia turns to
BUFFY, WILLOW, XANDER
Sitting at a nearby table. Xander studies a newspaper.
CLOSE ON NEWSPAPER – We see a picture of the Delta Zeta house and the
headline: FRATERNITY ARRESTED.
WILLOW XANDER WILLOW She shakes her head.
XANDER Xander notices Angel standing right next to him. Doesn’t skip a beat.
ANGEL Beat.
Beat.
ANGEL Buffy considers him for a long moment, then:
Angel brightens.
And she gets up and goes. Xander, Willow, Angel stare at her departing
back. Xander kind of respects what she just did. So does Angel.
ANGLE – BUFFY – WALKING AWAY
Tracking backwards with her. Letting her grow into a tight close-up. So
we can see how pleased she is. Then she walks out of frame and we –
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